摘 要

插画，是一种直接又丰富绚烂的艺术表现形式，通过图像能有效地将信息传递给观赏者。光影艺术的运用常见于各式的插画中，是绘画中的精魄，它使图像能跳脱出单调，塑造出更鲜活丰满的造型与色彩，给画面增添更加丰富的层次感，将二维图像增添立体的视觉效果。

与此同时，引入光感，能更好地烘托画面氛围，对插画中的视觉引导与情感表述起着巨大的作用力。带领观赏者有步骤地走进作者的艺术世界，通过画面来读懂作者的内心理念。光与影的的学问，在艺术史上从未停止过探索与不断得知的步伐。通过对光影艺术原理的研究，讨论光影魅力与自然视觉原理对插画的影响。

从绘画的角度来看，这个方向调查了插画理论中的光影影响力。在绘画本身的光与影中，反映着真实的画面塑造方式。本文旨在揭示光影的运用技法以及它的原因，寻找新时代绘画更丰富的可能性。

关键词：插画;光影;塑造

Abstract

Illustration is a kind of direct and rich artistic expression, which can effectively convey information to viewers through images. The use of light and shadow art is common in all kinds of illustrations, is a painting in the spirit, it makes the image can jump out of shape monotonous, shape and color more vivid, more rich sense of depth to the picture, the two-dimensional image to add three-dimensional visual effects. At the same time, the introduction of light perception can better contrast the atmosphere of the picture, and plays a huge role in the visual guidance and emotional expression in the illustration. Lead viewers into the world of painters at one level and understand the author's creative ideas. The knowledge of light and shadow has never stopped exploring and constantly knowing in the history of art. Through the research of the scientific principle of light and shadow, the influence of light and shadow science and vision principle on painting is expounded. From the point of view of painting, this direction investigated the influence of light and shadow in illustration theory. In the light and shadow of the painting itself, it reflects the true way of painting and shaping. The purpose of this paper is to reveal the techniques and reasons for the use of light and shade, and to find more possibilities for painting in the new age.

Key Words：Illustration; Light and shadow. shape

目 录

第1章 绪论...................................................................................................................................1

1.1 课题的主题与主要内容......................................................................................................1

1.2 课题的研究意义..................................................................................................................1

1.3 研究的方法和途径..............................................................................................................1

1.4 研究中可能遇到的问题......................................................................................................1

第2章 光影的存在......................................................................................................................2

2.1光与影的关系......................................................................................................................2

2.2 自然与插画中的光影.........................................................................................................2

第3章 光影对插画的塑造作用...................................................................................................3

3.1 光影是形成物体体积感的直接形式..................................................................................3

3.2 光影给予更丰富的色彩表达..............................................................................................3

3.3 光影能更细致地表达材质.................................................................................................4

3.4 光影分割画面形成构图.....................................................................................................4

3.5 光影营造更饱满的空间层次.............................................................................................4

3.6 光影烘托出更独特的插画氛围.........................................................................................5

第4章 《传承》系列插画中的光影运用实例..........................................................................6

4.1 插画集《传承》中光影的运用.........................................................................................6

4.2 光影关系与《传承》系列插画绘制技法.........................................................................6

总结................................................................................................................................................7

参考文献.......................................................................................................................................8

致谢...............................................................................................................................................9

第1章 绪论