Brief Talk about the Application of Chinese Painting Elements on

Animation Design

Qinggang Sun

Harbin University of Science and Technology at Rongcheng, Shandong, 264300, China

Keywords: Chinese painting elements, Animation design and application.

Abstract. Animation design has comprehensive artistic features, so its unique creative and artistic

modes decide that animation decision has a certain complexity. Whether in artistic conception design or expression design, Chinese paintings all have the unique mode of thinking. The application of the design elements, thinking elements and performance elements of Chinese painting in animations will let the form, content, style more abundant. Scientific use of Chinese elements can create animation works with Chinese cultural connotation and Chinese aesthetic emotion. It can express the aesthetic needs and aesthetic ideals of Chinese culture, thereby creating a classic cartoon art image with Chinese characteristics. The paper mainly analyzes the application of Chinese painting elements in animation design.

Introduction

In traditional Chinese painting, the overall artist thought has covered the Chinese painting modeling elements and performance elements. In animation design, application of Chinese painting is an important and indispensable means of art. It is a necessary requirement of animation design for Chinese paintings elements to be widely used in animation designs. It is an important criterion to test and evaluate the success of animation design work by seeing if artists melt the Chinese painting art elements scientifically and organically into animation designs. Chinese painting is a treasure of Chinese culture, for it can reflect the five thousand years of Chinese history and culture, and Chinese animation design is inseparable from the feeding of Chinese culture which is vast source of art. So, Chinese animation design is inseparable from nutrition from Chinese painting elements. Chinese painting elements have expressed the aesthetic concepts of traditional Chinese art and aesthetic pursuit, so the various Chinese painting elements like modeling elements of Chinese painting, performance elements, color elements, and so on once been appropriately applied in animation design, its content and form, the artist state, art style and artistic expression are bound to have a great artistic charm.

1. The applied analysis of Chinese painting elements in cartoon design

1.1 Element feature of Chinese painting thinking

Chinese painting in the thinking pattern has the performance characteristics. Compared with other elements, Chinese painting has its own unique charm. Drawing on Chinese painting thinking elements, it includes several parts of look, charm, ideas and conception. These parts not only embody Chinese painting characteristics, but are also the unique charm of Chinese painting. In the theory of Chinese painting, 'mood' is a typical aesthetic concept, which is also the ideal realm of landscape creation. 'Mood' in Chinese painting is closely related with exquisite painting techniques, while having a close association with traditional Chinese philosophy. Since ancient times, Chinese paintings are very focused on the role of mood. 'Leaving a white blank' is a true portrayal of the role of mood, and this mood has become the soul of Chinese painting. In addition to mood, Chinese painting is also very particular about the 'spirit', which refers to romantic charm, look and demeanor. Chinese painting not only pay attention to the characters personality, expression and spiritual temperament, but also pay attention to the expression of plants, insects, stones, birds and flowers, often making these inanimate objects anthropomorphic. Our writers often assimilate 'plum, orchid, bamboo, chrysanthemum' to four gentlemen, integrating it into the living artistic spirit with a combination of soul and life.

1.2 Application of Chinese painting elements in the design process of animation

Whether for the mood or expression, Chinese paintings all have their unique mode of thinking. Applying the mood, ideas, flavor, look and other elements of Chinese painting in animation design will be able to create perfect animation works with a combination of Chinese cultural connotation and aesthetic emotion. Take Chinas first ink cartoon 'Little Tadpole Looking for Mom' for example, this fairy tale created by Fang Huizhen and Sheng Lude is adapted from Qi Baishis 'shrimp'. It is based on the fish and shrimp created by Qi Baishi, with a poetic screen expressing special artistic conception and rhythm of life. In 'Little Tadpole Looking for Mom', there are a lot of shrimp of different attitude and blank facial, which produce a strong relative property, combining the movement and silence, virtual and real, creating imagination space. This space is the highest level of Chinese Paintings. After launching 'Little Tadpole Looking for Mom', it has won numerous awards both at home and abroad. We can say that, 'Little Tadpole Looking for Mom' is the organic combination of Chinese ink painting and animation, as well as wonderful performance of Chinas domestic animation in the history of international animation.

2. Applied analysis of Chinese painting style element in animation design

2.1 Characteristics analysis of Chinese painting style elements

In Chinese painting, its basic styling feature is the 'line shape' and 'image modeling', which are the two most basic elements of Chinese painting.

剩余内容已隐藏，支付完成后下载完整资料

简要谈谈中国画元素的应用

窗体顶端

窗体底端

动画设计

关键词:中国画元素,动画设计和应用。

抽象的。动画设计全面的艺术特色,其独特的创意和艺术

模式决定动画的决定有一定的复杂性。无论是在意境设计或表达设计、中国画都有独特的思维方式。设计元素的应用,认为中国画元素和表现元素在动画会让形式,内容,风格更加丰富。科学使用中国元素可以创建动画与中国文化内涵和中国审美情感。它可以表达中国文化的审美需求和审美理想,从而创建一个具有中国特色的经典卡通艺术形象。本文主要分析了中国绘画元素在动画设计中的应用。

抽象的。动画设计全面的艺术特色,其独特的创意和艺术

模式决定动画的决定有一定的复杂性。无论是在意境设计或表达设计、中国画都有独特的思维方式。设计元素的应用,认为中国画元素和表现元素在动画会让形式,内容,风格更加丰富。科学使用中国元素可以创建动画与中国文化内涵和中国审美情感。它可以表达中国文化的审美需求和审美理想,从而创建一个具有中国特色的经典卡通艺术形象。本文主要分析了中国绘画元素在动画设计中的应用。

1.中国画元素卡通设计的应用分析

1.1国画的元素特征的思考

中国画在思维模式的性能特征。中国画与其他元素相比,有其独特的魅力。借鉴中国画思维元素,它包括几个部分看,魅力,思想和观念。这些部分不仅体现了中国画的特点,但也是中国绘画的独特魅力。在中国绘画理论,“情绪”是一个典型的审美概念,也是景观创造的理想境界。“情绪”在中国画与精湛的绘画技术密切相关,而与传统中国哲学有密切联系。自古以来,中国画非常关注情绪的作用。“留下白色空白”是一个真实的刻画角色的情绪,这种情绪也成为中国画的灵魂。除了情绪,中国画也非常特别的“灵魂”,指浪漫的魅力,外观和行为。中国画不仅注意角色的性格,表达和精神气质,但也要注意表达的植物,昆虫,石头,鸟类和鲜花,常常使这些无生命的物体拟人化。我们的作家经常吸收“梅、兰、竹、菊”四君子,将它集成到生活的艺术精神与灵魂和生活的结合。

1.2应用程序中国画元素在动画的设计过程

无论是情绪或表达式,中国画都有他们独特的思维方式。应用心情,想法,中国画味道、外观和其他元素在动画设计将能够创建完美的动画与中国文化内涵和审美情感的结合。先中国墨水卡通“小蝌蚪找妈妈”例如,这个童话故事由方舟子作为和盛安眠药是改编自齐白石的“虾”。它是基于鱼和虾由齐白石,用诗意的屏幕表达特殊的意境和节奏的生活。小蝌蚪找妈妈》中有很多虾不同的态度和空白面,产生一个强大的相对属性,结合运动和沉默,虚拟和现实,创造想象空间。这个空间是中国绘画的最高水平。推出“小蝌蚪找妈妈”后,它已经赢得了无数国内外奖项。我们可以说,“小蝌蚪找妈妈”的有机结合是中国水墨画和动画,以及精彩的演出,对中国国内的动画在国际动画的历史。

2.应用分析中国画风格元素在动画设计

2.1特征分析中国画风格的元素

在中国画中,其基本样式特性是“线形”和“图像建模”,这是中国画的两个最基本的元素。中国画一般可以分为花和鸟的主题,人物主题,和其他几个模块像景观主题,奠定坚实的多样性表现中国画的基础。中国画线条的形状和图像建模是一个互补的关系,最根本的原因是因为线本身并不是客观的或真实,但抽象表达画家的主观意义上的客观事物。线本身可以传达一种形象,但它是模糊的,而“图像”可以准确使精神内涵在客观事物清楚地呈现给人们。这个级别的“线形”和“图像建模”是相同的,和两个构建的组合丰富的图像。

2.2联合分析动画建模和中国画的形式

动画设计和创造的过程中,动画风格有着非常重要的作用,对于任何动漫卡通的基础是确认的字符。动漫的风格特征简洁、膨胀、普遍性和象征性,与中国绘画风格相同的目的

“线形”和“图像建模”。同时,一个好的设计方法的掌握“线形”和“图像建模”可以丰富的卡通人物形象。例如,在过去传统的经典的“三个和尚”,“孙悟空”、“情绪化”,“小蝌蚪找妈妈”,“Nezha王子战胜龙王”和其他经典国产动画片包含丰富的艺术内容和文化遗产。如“孙悟空”张此文的作者的帮助下我们的传统元素用简单的线条来表现一个轻盈的图简洁形象;“三个和尚”也用简单的线条来总结不同人物的性格特征。

2.3使用图中线条画卡通的设计

画线是中国画的基本元素,也是中国画的基本形式。中国画线条画有多种形式,甚至相同的表达式,画也可以根据它来执行不同的风格。例如,画线有许多表达方式像写意,现实的风格和装饰风格。后的装饰风格为例,描述不同的表情和个性语言从不同的艺术家,我们可以创造一些独特的风格模式,这可以为动画设计打下坚实的基础在塑造人物形象。在中国画中,我们关注的是“线形”和“图像建模”的风格。同样在动画的设计工作。在动画作品中,设置的字符需要模仿线的普遍性,同时,在动画角色的设计过程,它应该也需要符合关系,想法和性格特征。我们可以说,卡通人物的整个设计环节包括线的支持。用简单的线条创造一个生动的,完整的和

丰满的性格无疑是中国画的一个重要启示动画设计。

3. 应用分析中国画元素在动画工作

3.1特殊的中国画表现模式

中国画由风景、人物、花卉和鸟类的主题。中国画有一些独特的技巧的钢笔,墨水,颜色和表达。在布局中,中国画主虚拟与现实的结合,和呼应的主体和客体,这也是中国传统思维方式的表现中国画。在语言的应用,我们还注意表达形式的统一形式和精神和兼容墨水。不同于西方绘画、中国画表达的因素和性能有多种功能。在中国画的表现中,色彩的应用,墨水摇摆,对待虚拟世界和现实和情绪的表达反映了中国绘画的独特。

3.2应用程序中国画笔墨语言在动画设计

国画的元素之一,代表中国传统水墨画,它是中国动画的开创性研究工作将多变的水墨画应用于动画的设计工作。在某种程度上,中国传统水墨画是基于当地的文化,和集成建模的鸟类和鲜花,人物和风景的动漫可以使整个屏幕的设计充满强烈的中国审美情绪和品味,它为人们创造一个强大的意识形态共振,创建一个传统的审美享受。此外,水墨动画与传统动画不同单一线和平刷。

它有一个不同的线条和色调的表达形式,长度,对与错,厚度更丰富。同时,墨水可以用来代表颜色,使用油墨也有方法

的多样性特征。其中,飞溅,情节,打破,阴影和其他形式创造了墨水纯度和亮度的变化,所以墨水屏幕动画有更深刻的层次和空间。

墨水艺术融入动漫设计过程不仅能突出中国绘画的艺术特点,它还可以在某种程度上丰富艺术氛围。

例如,在“牛仔”,这项工作完全水墨画元素应用到动画设计,水牛的图像是根据著名画家的风格画李基兰。为了丰富电影的艺术形象,李基兰专门画风景和水牛,,挑出最满意的。此外,在后台设计、“喜怒无常”也演示了最常见的山涧在传统中国山水画,可以展示人们南部地区的美景,充分反映了传统水墨画的魅力。

3.3中国画构图在动画设计中的应用

中国画构图也称为布局及其强调的开启和关闭,构图也注意虚拟世界,现实和白色的空白。其中,最常用的手段是“白当黑”,这是创建一个独特的审美效应特征空间,从而创建一个PIP心情。在动画设计中,我们也可以组成融入它,使用空的和完整的,白色的中国画元素的关系,所以心情可以更好的表达。

4. 结论

总之,中国画的设计元素的应用,思考和表现元素在动画的设计可以丰富形式,内容和风格的动画,充分表达审美需求和审美理想在中国,创建具有中国特色的一个经典的卡通形象。因此,广泛使用中国画元素动画设计是动画工作的必然要求。

剩余内容已隐藏，支付完成后下载完整资料

资料编号：[25354]，资料为PDF文档或Word文档，PDF文档可免费转换为Word